Wooooooosh,
there goes Summer. Well, not quite. Often when I have neglected the blog, it corresponds with a similar lack in other creative spheres. Happily that's not the case this time - several new card designs, plus a couple larger lino prints. It's contemplative time that's at a shortage, I think. And/or peace of mind. Peaceful or not, I vowed to sell at more shows this year than last. Not a high bar, as 2017 saw merely a handful -- but still, points for shaking things up a little. I applied to more -- got into more -- and then thought, well
this is no good unless you have more
new things to share...
Here's the latest, hot off the press:
 |
| the later yellow copies are more lemony than mustardy |
I really had fun playing around with strong colors on this design. Thirsty for color, without knowing it! I enjoyed both the colors and the varying degree of inkiness. Sometimes the background is practically sodden; elsewhere, it seems the brayer has just glanced across its surface. These are not proper, spic-and-span pristinely-editioned prints.
 |
| cherry red, bouncing with energy |
 |
| Milky blue vs. darker blue |
Initially dismayed to misregister a few copies, I found myself returning
to them. There's a certain electricity created by the misstep in
printed colors. Jarring, but weirdly satisfying. Possibly moreso, due to the subject matter. The joy of tools is in their potential, to help us as makers create our world around us. The things we make are sometimes messy. Partially instructed, part improvised. Often the final forms vary greatly from our original concepts.
Likewise, these prints are as much about the process of making as they are reflections of the final design. I look at these and think of my friend's studio -- the reward of inking linoleum blocks, laying down paper, rolling the blocks through her press; the relief of repeat and repeat and repeat; the satisfaction of doing something physical and concrete, especially during heartbreaking times, with a loved one in the hospital.
Before the carving, and the printing, the composition invited lots of juggling. Too many loved tools for them all to be included! I knew I wanted an apron, and scissors, whisk, and hammer; the spade won space through its simplicity and my fondness for gardens past. Other tools jockeyed for space. I photographed sketches and moved them around in Photoshop, returned to the drawing board.
 |
| The original word placement (now in "badge") also explains my pencil placement... |
 |
To carve or sign? Decided to carve my name for two newest prints, hmmm
Detail of the inked black block
The color block, after many shades have been tried
Detail of a sunny green, with inking plate in background |
 |
| prints +child. "why are you standing up so high? I will get on the chair, too" |
"Your Tools Await" is now up in my etsy shop, in
milky blue &
cherry red --more colors coming. All hand printed on toothsome Rives BFK paper, measuring 12" x 18" (standard framing size).
Yours for a modest price, in my Etsy shop... ORRRRRR come visit me this Saturday, at the down town Ann Arbor library! ALL PRINTS ALL THE TIME! It's their first fair solely devoted to printmaking -- with lectures and demos and all kinds of excitement. Event details here.
